Stoney LaRue

Stoney LaRue

Mike Ryan

Sat, June 3, 2017

Doors: 7:00 pm / Show: 9:00 pm

$17.50 - $22.00

This event is 18 and over

Indoors - Very Limited Seating. All Minors Will Be Charged an Additional $5 At the Door. General Admission. 17 & Under Admitted with Parent or Guardian Only. $17.50 advance tickets/$22 day of show.

Stoney LaRue - (Set time: 10:30 PM)
Stoney LaRue
Stoney LaRue makes real-life, thinking man's music.

Seriously, how many other singer-songwriters would say this kind of thing about their own output: "You have to be careful about what you put out there and what you sing about, because it's a little like the Laws of Attraction," LaRue says. "You've either lived it or written about it, or you're writing about it and you're gonna."

So much country music today chases inexact images of imaginary roads leading to nowhere, allegedly ambling a pickup truck down dusty roads to some idealized, nonexistent party.

The Texas native-turned-longtime Oklahoma resident has been chasing his own dream down many roads for a long time. He's hit the occasional pothole that sidelined him for awhile, never veering from his internal call to chronicle life's ups and downs.

"I've always been motivated by and came up under the style of old Woody Guthrie songs," LaRue says. "It's always been about talking to the people."

Hence you have the laid-back, conversational style found on Stoney LaRue's newest album project, AVIATOR, his debut for eOne Entertainment.

Don't be fooled...LaRue has lit up and burned down a honky-tonk a time or two, becoming a Red Dirt/Texas Music circuit mainstay known for high-energy shows, and that intensity is found on AVIATOR as well, on tracks like "It's Too Soon", "Golden Shackles" and an album ending "Studio A JAM" not to be missed.

But its tunes like "First One To Know," the opener "One And Only" and the vivid, memory-filled title track that give AVIATOR it's thread, trying to find a path amidst loss and life changes, redemption and reinvention.
"The theme is, essentially, following direction, trusting in yourself, and new beginnings," LaRue says. "A lot of it is spurred from divorce and open-eyed ways of looking at things, be it relationships or just the world as a whole."

But while AVIATOR was crafted at the tail end of some personal upheaval, Larue took comfort and energy from re-teaming with creative partners from previous projects, such as songwriter Mando Saenz and the producers of his last studio record Velvet, veteran hit makers Frank Liddell and Mike McCarthy.

The term "organic" gets used far too frequently in music today, but it's hard to find a more apt one to describe Liddell, McCarthy and LaRue's process making AVIATOR. From recording analog on two-inch tape, to one-take performances by world-class studio musicians gathered as a band, AVIATOR's tracks crackle with an energy you're only going to find from hard-fought teamwork forged in the studio.

It's a process LaRue knows runs counter to the "record today, release later today" modern day music business machine. "I understand it, that people want the product and artists want to get it out there as soon as possible," he notes. "But that kind of goes against what the natural way of letting art happen."

And there's art to be found on AVIATOR, be it the cheeky shuffle found on "Moving On," the delicate weave of piano and pedal steel meshing memories on "Still Running," the churning pulse of "Spitfire" turning onto the two-stepping moment found on "Million Dollar Blues” and Stoney's honoring of one of his heroes on "Natural High".

"It was worth every moment we spent, and there's stuff going on here that makes me think, 'This is the way music is supposed to be recorded,'" LaRue continues.

The rooted-in-tradition nature of making AVIATOR has spun off into LaRue's live performances as well. He tells a story of a recent gig in Longview, Texas, where he spoke to a man at the venue who had seen LaRue (and everything else you can see at a bar) a time or two.

"He told me, 'I've heard you since you first started. I just turned 64. What I heard tonight was a more refined Stoney, and I thought to myself, "I can connect with what he's saying",'" LaRue says. "I like the ability to connect with people at any age, whether it might be sonically or to the depth of what they're willing to think. I like to think, and I like for people to think. It's a little bit of a lost art these days.

"I want that human element to still be apparent in my writing," he continues. "Whenever we're on stage, I notice that people, rather than just standing there swaying back and forth; it's more of an experience show than it is dance hall music.

"I've noticed that some people dance, some people stand there and listen, some mouths are open, and some heads are bowed. Everybody experiences it differently."
But while a lot of thought, care, consideration and skill has been put into the making of AVIATOR, don't ask Stoney LaRue what Stoney LaRue sounds like. One, it'll bring on a certain amount of brain freeze, and two, he wants you to think through it yourself.

"I'd say its a little combination of rootsy rock, country, folk, and whatever else is in the hodge podge, and separate as much of the pride and ego from it, and put it in a format that's easy to listen to," LaRue eventually concedes. "But I don't think the listener can get it in a 20-second format. I don't think they'd get it in a day. It's one of those things that has to be word-of-mouth and experienced themselves.

"As far as the listener is concerned, that's who it's for," LaRue continues. "The music came out of me for a reason, and it's not supposed to be just for me. I want to share it with as many people as possible. If I've done that, then they have the option to embrace it or put it down. I just want it to be available to them."

So take your nearest available audio device -- queue up the playlist or pop in that CD -- put your thinkin' shades on and spin up AVIATOR. Stoney LaRue wants you to find yourself in it...yourself.
Mike Ryan
Mike Ryan
Mike Ryan is a singer/songwriter with a knack for pairing lyrics with music that breathe life into a song. Though Mike would tell you “I’ve still got some road to travel as a writer,” many will argue he’s already established himself when it comes to penning clever new tunes. Smooth and soulful, he has uncommon vocal ability. With the upcoming release of his sophomore album, Bad Reputation, Ryan proves his ability to craft a good lyric in addition to breathing life into a song in a way that no other voice can.
Surrounded by the musically inclined from a young age, Mike’s never been a stranger to notes or rhythm. Early on, Mike was greatly influenced by his grandfather Paul, who directed the Texas National Guard Band for over 20 years. “Gramps was the first person to teach me about the relationship between love and music,” says Mike. “He was very passionate about making music, as well as teaching it, and that passion was infectious.” Additionally, two of Mike’s uncles are currently band directors and Mike’s Father, Ted also has a passion for music and the performing arts. “I have great memories of my dad performing in plays and musicals as I was growing up,” Mike recalls, “and he still plays bass with his blue grass band every time he gets the chance.” Mike honed his own talent early as a member of his middle school and high school choirs.
The talent Mike has been blessed with as singer/songwriter has certainly not been ignored. After releasing his first full length album in the Fall of 2012, Night Comes Falling, Mike grabbed the attention of Sea Gayle Music, one of the top independent publishing companies in country music, out of Nashville, Tennessee. Mike strengthened his team again with APA Talent of Nashville coming on board to oversee tour booking in January of 2014.
Since May of 2013, Mike frequently travels to Nashville for writing sessions. Mike’s second full length album, Bad Reputation, showcases ten new songs, all written or co-written by him. The songwriting and vocal talent that so many have come to recognize shine brilliantly with this new project. The first single, “Dancing All Around It,” (went #1 on the TX Music Chart 9.29.2014) grabs you with the first line and keeps you hooked as the story unfolds. “Easy,” reminds you of the smooth classic country hits of the 80’s, and “Wasting No More Whiskey” (#1 on TX Regional Radio Chart 4/3/2015)is a creative and catchy tune that will have you singing along before its over. “I had some trouble narrowing it down to just 10 songs out of all the new ones we had written, but that’s a nice problem to have,” says Mike. “It’s a great feeling when you have more good songs than space on an album.”

With the first two radio singles from the BAD REPUTATION album both hitting number 1 on the Texas charts, its evident that Mike Ryan knows a thing or two about good music. His rapidly expanding fan base is solid evidence of that.
Venue Information:
John T. Floore Country Store
14492 Old Bandera Rd.
Helotes, TX, 78023